International documentary film festival
April 14 - 21, 2024
Kaptol Boutique Cinema, Zagreb

The Standstill (Stillstand)

Nikolaus Geyrhalter

The Standstill

Set against the backdrop of the city of Vienna, The Standstill documents the Covid-19 crisis over a period of two years. Starting in the very early days of the pandemic, Nikolaus Geyrhalter set out to capture film documentation of a time when filmmaking was not actually possible: snapshots and sequences of deserted locations and interviews with people for whom the term “state of emergency” had suddenly become a concrete reality. Initially, the citizens shouldered the responsibility stoically, keen to do their part for the common goal of containing the further spread of the virus. Then, a second lockdown follows and the patience of some grows thin. The film captures a unique historical moment when we missed our chance to alter our destructive path.

Austria 2023, '137

DIRECTOR: Nikolaus Geyrhalter

CAMERA: Nikolaus Geyrhalter

MONTAGE: Gernot Grassl

PRODUCERS: Nikolaus Geyrhalter, Michael Kitzberger, Wolfgang Widerhofer, Markus Glaser

PRODUCTION: NGF Geyrhalterfilm

FESTIVALS & AWARDS:

DOK Leipzig (2023)
Viennale (2023)

Nikolaus Geyrhalter

Nikolaus Geyrhalter

Nikolaus Geyrhalter is director, producer, writer and cinematographer, born in Vienna, Austria in 1972. Geyrhalter’s static-camera, well-paced observational films tackle their subjects head-on, whether it’s exploring the terrain in Chernobyl, Ukraine (Pripyat), tracing the route of the Dakar Rally (7915 Km), or investigating the production of processed foods (Our Daily Bread).At the age of 22, Geyrhalter started his own production company, Nikolaus Geyrhalter Filmproduktion (NGF). He made his first film, Eisenerz, in 1992. Two years later, Geyrhalter shot his first documentary, Washed Ashore (Angeschwemmt). Audiences, jurors, and critics took notice of Geyrhalter with Pripyat (1999), which won the SCAM Award at the Cinéma du Réel Festival and the Grand Prize at Diagonale Graz. He followed Pripyat with the epic four-hour globe-hopping documentary, Elsewhere (2001). The film screened at Thessaloniki Documentary Festival, the Toronto International Film Festival, the Jihlava Film Festival, and won a Special Jury Award at the IDFA. His next feature, Our Daily Bread (2005), won a Special Jury Award at IDFA as well. In the following decade, Geyrhalter examined night labor in Europe with Abendland (2011) and landscapes of urban decay across the world in Homo Sapiens (2016). The latter film played at the Berlinale Forum, the Hong Kong International Film Festival, the Cinéma du Réel Festival, the Edinburgh International Film Festival, Karlovy Vary International Film Festival, and the Viennale. In 2015, Berlin’s Arsenal Cinema programmed a retrospective dedicated to his work. The 38th Cinéma du Réel Festival programmed a sidebar on his documentaries. ZagrebDox is following Geyrhalter’s work by screening almost all of his films he made in the last decade, e.g. Our Daily Bread, Allentsteig, Danube Hospital and Abendland, as well as screening a special retrospective program in 2017.

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